As a university, we’ve had two major issues related to the use of the campus learning management system.
Sharing of personal information with third party services/companies1
Copyright of materials uploaded to courses, and subsequently downloaded and shared with third parties as per above. Copyright compliance is a pretty big deal at Canadian universities.
We needed a way to provide a reminder of university policies, to provide guidance about what is allowed and not allowed, and to document that people have acknowledged these.
It’s not a SPLOT per se, because it’s intended for use in face-to-face learning rather than online. SPLF2FT?
At the Taylor Institute, we have a bunch of active learning classrooms - we call them “learning studios”. They’re designed to enable active group collaboration, through the design of the rooms, to the furniture available, and the technology provided. There are 50" touch-enabled “collaboration carts” 1 that can run almost any web-based tool.
One of the more common uses of the displays involves digital whiteboards. Each display has an actual physical whiteboard beside it, but the digital whiteboard integrates with the AV systems that run the room. Which means we can do things like say “hey - group 1 is doing some cool stuff. check it out!” and push their display to the projector (or even to all other displays in the room) for everyone to see. Much harder to do with traditional whiteboards.
I’ve moved my webstuff back to Reclaim Hosting - I had been a very very happy customer, but decided I needed to move my sites onto canadian-hosted-and-managed servers out of principle. Since then, Reclaim spun up a Canadian-hosted server (but it’s managed by a US company, so there are still… complications). But, I’ve decided to stop caring so rigidly about that. It’s just my webstuff, and it’s far more important to be a part of the Reclaim family than it is to push back in an invisible way against the insanity that is running their country.
I’d picked up a copy of the book When Breath Becomes Air by Paul Kalanithy after reading a reference to it in a NYTimes article about John McCain, and Grant gave me the nudge to actually start reading it. It’s an amazing read, about a young neurologist/budding neuroscientist, who spends his life learning about the nature of life, and death, by experiencing it.
I’m thankful that the decisions I’m faced with are happening in slow motion compared to his story, but the effects are largely the same. I’m afraid of so many things now - most notably, of leaving J. alone after putting her through the ringer.
Another in a series of really great articles in the Times, about cancer and dying. Fun topics that are kind of relevant.
“The most obvious” response, wrote the neurosurgeon Paul Kalanithi in “When Breath Becomes Air,” his memoir of a brilliant life cut short, “might be an impulse to frantic activity: to live life to the fullest, to travel, to dine, to achieve a host of neglected ambitions.” But cancer limits the energy for compacted living, and a longer view takes hold. “Money, status, all the vanities the preacher of Ecclesiastes described hold so little interest; a chasing after wind, indeed.”
A study cited in the paper notes publisher websites utilize an average of 13.5 (and up to 70 in some cases) third parties. A visit to one popular U.S. tabloid triggered a user interaction with some 352 other web servers, according to a 2014 U.S. Senate subcommittee study of the issue.
Many of those interactions were benign; however, some of those third parties may have been using cookies or other technology to compile data on consumers without their explicit consent, according to the study. Data mined by the practice can include users’ interests, browsing history, location, and past-purchase history.
For some reason, I felt like turning my blog into something reminiscent of Hypercard. Maybe it’s nostalgia? Maybe it’s a throwback to an era from before the web? Maybe it’s an ironic attempt to de-emphasize design over content? Maybe all of those.
Anyway. I found this great Chicago-inspired webfont, released under a Creative Commons license by Giles Booth. At first, I just used a local stylesheet to force it to be used on any site, but then I realized I wanted it running on my blog full-time. But I didn’t want to have to create a new theme to do it. So, a plugin!
…blogging either needs its own mechanisms of ambient humanity — which it’s had, in the form of links, trackbacks, conversations, even (gulp) comments, all of which replicated at least a fraction of the buzz that social media has — or it needs a kind of escape velocity to break that gravitational pull. Gravity or speed. Or a hybrid of both.
Arizona is an amazing place. Driving south from Strawberry, we passed through about a dozen distinct biomes, and ended up in a landscape that would be at home in a Wile E. Coyote cartoon.
The drive left some quality time for mobile playlisting…
And winding up in Winslow, arizona, where it appeared as though we formed a Conga line of tourists waiting to be photographed next to a statue commemorating some obscure song by a no-name indie band.
For my PhD research, I’ve been bouncing ideas around for how to volumetrically capture a performance or classroom session in 3D, and then layer on additional contextual data (interactions between participants, connections, info from dramaturgy, info from SoTL, etc.).
This NEBULA experimental jazz video by Marcin Nowrotek kind of gets at some of what’s in my head. Imagine this, showing a group of students collaborating in an active learning session, and instead of notes/percussion visualizations, some kind of representation of how they are interacting etc… Also, since it’s all in 3D, imagine being able to interact with the recording in 3D using fancy goggles.
I hadn’t published a podcast since 2005, back when podcasting meant “automating downloads of audio files to an iPod because there’s no internet connection when you’re mobile” and not “any kind of media, and nobody even remembers what an iPod is anymore, and why on earth wouldn’t you have an internet connection all the time?”
Anyway. I’d assumed the passing decade would have meant audio production tools and podcast publication tools would have matured significantly since the good old days. Nope. Audio editing still basically sucks. Audacity works, but is destructive and fussy and a pain sometimes. GarageBand is so horribly designed for actually editing audio that it’s worse than Audacity. There are other editing tools, but they all seem to suck in various ways. Where’s the simple, non-destructive, easy audio editing tool that lets you remove noise and make the audio sound good? iMovie does it well for video. Where’s the audio version of that? I want my hovercraft.
